Madeleine McCann, aged 4, disappeared without trace 2½ years ago whilst on holiday with her parents in Portugal.
Here's a message about her from the UK police.
She will be 6 now and their video gives information on what she may look like:
There is further information here.
Please spread the word as widely as you can ... e-mail friends, post this video on your blog, Tweet it, Digg it, Facebook ... use the 'viral' nature of the Internet to get this information to as many people as possible.
Someone, somewhere, may be able to help her.
Madeleine McCann
Flipping heck!
In her comment to my Bad weather,good photos post, Livia asks if it is " ... possible to get your fisherman on the left side."
Easy. Just flip horizontal in Photoshop (or similar).
But is it ethical?
And is it a better image?
I'm not sure. As, in our culture, we read from left to right I feel the photo is better with the man facing into the image from the left side. What do readers think?
"I will break your f*****g camera!"
A couple of days ago, during their lunch break, Troy Holden and Stuart Dixon were taking a walk ... on public property ... through the financial district of San Francisco.
They stopped in front of number 555 California Street (formerly known as the Bank of America Center) to take some photographs. It's a pretty impressive building, being 52 storeys high and the second tallest building in the city.
What happened next, together with a photograph, is recounted by one of them, here.
Oh dearie me. What is it with police and security guards? This happens all over. It happened regularly to me, and to people I knew, when I was living in Zambia.
Are they lacking some critical part of their brain?
Or maybe they have an extra bit of brain that ordinary people don't have, making them honestly believe that any terrorist, before carrying out an attack, is going to stand in front of his/her target, in full view of everyone, get out a camera ... often a big one ... and sometimes a tripod too ... and take photographs. Take photographs in full view. Not hiding. Or anything.
Having an altered brain ... that sounds plausible.
I was reading yesterday about a parasite of cats called toxoplasmosis. It spends part of its life cycle in rats. But the problem it faces is that rats naturally fear and avoid cats. So the little parasitic beastie could have trouble in getting passed on. To overcome this it has evolved a strategy whereby it alters its host's brain, and infected rats lose their fear of cats. So they get caught, and the parasite moves on. Clever, huh?
Could a similar thing ... sort of in reverse ... be the case with police and security guards? Could something-or-other have happened to their brain making them dislike and fear photographers?
And that raises another question - does this whatever-it-is that changes their brain make them more prone to becoming police and security guards? In other words, does it happen before, and they gravitate towards those sorts of jobs? Or do they catch it as a result of taking up that particular profession?
Medical research is needed.
Bad Weather, Good Photos - Part 1
If, like me, you live in the Northern Hemisphere, then the bad weather’s a‘coming ... frigid winds ... driving rain ... mist ... snow.
Maybe it has already hit you.
And even if you live in the southern part of the world, with the days lengthening, you’re certain to get some bad weather in amongst it all.
So, when the mist rolls in off the moors, is it time to settle down with a good book in front of a blazing fire?
Definitely not.
Be brave. Get out there into the elements. Bad weather is a time when the vast majority of other photographers pack their equipment away and break out the beers. They don't know what they're missing - opportunities for beautiful and dramatic shots. An approaching storm, a bank of fog, a sudden rain squall, an unexpected rainbow, can all transform the most mundane scenery into something beautiful.
I’ve already blogged about photography in the rain, and ways of protecting your camera, here.
What about mist and fog? There’s a lot of it around here at this time of year, and certain scenes lend themselves particularly well to it. What would fishing be without a bit of fog on the river ...
This shot wasn't intended as 'artistic'. It's deliberately framed to be 'saleable' with space for text to the right. And I chose a position which included the two buoys in the background to give some depth. I used a 300mm telephoto, with the camera on a tripod. The telephoto has accentuated the effect by focussing in on the fog and the subject, causing detail and colours to soften.
Here’s another shot of mine, taken in the depths of winter, up in the Jura mountains behind where I live.
One difficulty with mist is that light levels are much lower so a tripod is essential. You also need to be careful with the white balance as fog can look unusually blue. Set it to ‘cloudy’ for a more natural effect. I feel that the bluish tone in the fishing shot enhances it. But had the tree shot been too blue it would have looked un-natural.
Finally, when photographing in mist and fog, check the front element of your lens regularly as water droplets can condense on it, ruining the clarity of your images.
When the weather turns bad don’t cower inside with your camera idle.
Get out there and get those great shots
Get out there and get those great shots
Your camera could save a child’s life. A true story ...
One Friday in 2007, Maria and Remo Pezzente were spending a quiet evening sorting through some photos of their children that they’d taken earlier. They were looking for good shots for the family album, and maybe some to send to grandparents.As they flicked through the images they noticed, with a touch of annoyance, that they hadn’t been careful enough with the camera settings. They'd forgotten to switch to the 'red-eye reduction' mode and their kids were showing the annoying, devilish red glow in their eyes (see ‘What is red-eye?’ to the right).
But then they noticed something odd. Whilst their other children had this effect in both eyes, 4-month old baby Leo was different. His right eye was glowing red, his left came out milky white.
So they did a quick search on the internet and found that this ‘white eye’ effect was called leukocoria. A further search on the word leukocoria brought up the possibility of a retinoblastoma – cancer of the eye.
Now they were really worried. The next morning they decided that this was too important to wait until Monday. They took baby Leo to hospital where he was examined by a paediatrician.
The paediatrician agreed that the photo was odd but, after examining Leo’s eye, couldn’t find anything amiss either. He suggested that perhaps something was wrong with the red-eye reduction feature on the camera. Nevertheless, he felt that it was worth getting a second opinion from an ophthalmologist.
To their shock, the ophthalmologist diagnosed a large malignant tumour in Leo's left eye. Retinoblastoma.
And by Monday morning, Leo had been checked in to the hospital for surgery.
The treatment was successful – the cancer had been caught in time. But that was not the end of Leo’s story. A short while later he lost his vision completely as a malignant brain tumour was found pressing on his optic nerve.
As a result of this Leo had to endure many cycles of chemotherapy. He even had a bone marrow transplant in the week after his first birthday.
But, through their vigilance, Maria and Remo had caught the problem early. The treatments that Leo had to undergo were successful. The tumour shrank away from his optic nerve, Leo regained his vision and is now a happy, energetic boy who is fast approaching his third birthday. (In the centre of this photo.)
And all this because Maria and Remo spotted something unusual in a family photograph.
And all this because Maria and Remo spotted something unusual in a family photograph.
So, be aware. If you are taking photographs of a child and one or both eyes come out abnormally white, it is worth a medical check-up. White-eye doesn’t necessarily mean a problem. But it could ... and it could be life-threatening.
Check it out. Your camera can save a child’s life.
Do NOT try this at home ...
Nothing to do with photography ... other than the fact that a camera was used to make it ... but it's had me laughing all week.
And please don't try it for yourself. I want to keep my readers.
Way-hey!
I've just received the news ... I've been shortlisted for Digital Camera Magazine's Photographer of the Year 2009.
Yikes!
The photo of mine that they like is ...
Yikes!
The photo of mine that they like is ...

... a juvenile seagull, perched on a post overlooking Whitby harbour in Yorkshire, UK.
I entered it for the 'This is Britain' category because it seemed to epitomise the Great British Seaside.
How did I get this photo? I was using my trusty Nikon D70s with a 17-35mm lens. Whilst walking beside the harbour I spotted this juvenile gull, utterly disdainful of us humans. It was master of its world.
I set the lens to its widest angle for maximum effect and popped up the on-camera flash. I hardly ever use it ... horrible thing ... but I didn't know if the bird was going to fly off, so there wasn't time to put anything bigger on. Then I sneaked closer, bending down for a low viewpoint.
The flash was just powerful enough to give that neat little highlight in the eye and fill in the detail of the feathers. The sky, by pure chance (sometimes us photographers do get lucky) was filled with feathery cirrus clouds, and there were a few people, one dressed in red, and a red boat (luck again!) on the beach below.
The bird allowed me to take a few photographs, and then flew off, leaving behind ... um ... a deposit.
That's what he thought of me.
Here's hoping the judges think differently.
I entered it for the 'This is Britain' category because it seemed to epitomise the Great British Seaside.
How did I get this photo? I was using my trusty Nikon D70s with a 17-35mm lens. Whilst walking beside the harbour I spotted this juvenile gull, utterly disdainful of us humans. It was master of its world.
I set the lens to its widest angle for maximum effect and popped up the on-camera flash. I hardly ever use it ... horrible thing ... but I didn't know if the bird was going to fly off, so there wasn't time to put anything bigger on. Then I sneaked closer, bending down for a low viewpoint.
The flash was just powerful enough to give that neat little highlight in the eye and fill in the detail of the feathers. The sky, by pure chance (sometimes us photographers do get lucky) was filled with feathery cirrus clouds, and there were a few people, one dressed in red, and a red boat (luck again!) on the beach below.
The bird allowed me to take a few photographs, and then flew off, leaving behind ... um ... a deposit.
That's what he thought of me.
Here's hoping the judges think differently.
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